Being built right now.


BulletHeadstock Part 1:

Here is the headstock and tuner layout with the "spirangle" scroll I came up with, and since I have never carved anything this detailed, I was scared to screw it up.

Headstock layout with spirangle scroll.

After cutting the headstock to rough shape, and recessing a portion for an ebony overlay, I glued the ebony fingerboard onto the neck.

Neck with fingerboard glued on.

Here is a closer look at the headstock with the shape of the scroll visible, but not yet carved.

Headstock cut to shape.

I proceeded to carve the scroll, not to final shape, but close.  I cut out the headstock overlay to fit the recess, but it's not glued on here, just checking the fit, as I need to inlay my logo, and that is easier done before I glue it on.

Headstock Overlay.

Below is the logo inlay in the making.  I decided on using green abalone and accenting it with brass, as it will go well with the gold hardware and gold colored "Evo" fret wire I chose to use on this bass.

Headstock logo inlay in the making.

Here it is with the inlay done.  It's not perfect looking at it this close up, but I still don't have enough practice, and figured abalone has a tendency to pull the coping saw blade into soft spots, and therefore off track.  I also think I need to get better blades more suitable for this kind of work.

Headstock logo inlay done.

With the overlay glued in place, the scroll pops out.  The nails in the tuner indexing holes I used to hold it into place during gluing are still there, just in case you are wondering if I nailed it on, the answer is no.  As you can see I still need to refine some parts of the headstock, but no rush, plenty of other work to do in making the whole instrument.

Headstock with overlay glued on.

Before I start another chapter and turn my attention to making the body, I give you a closeup of the yet unrefined spirangle scroll.

Spirangle scroll close up.